Works of Art Comparison and Contrast Essay Example | Topics and Well Written Essays - 750 words

Works of Art Comparison and Contrast - Essay Example The essay "Works of Art Comparison and Contrast" incorporates several works of art placed side by side for comparison and contrast purposes. Matisse Henry paints â€Å"Nasturtiums with the Painting Dance† within the 1900 AD timeline. This artwork emphasizes on illustrating the theme of dancing based on the artist’s version of this subject. Using painting oil, he depicts a tall image consisted of a picture within a picture on canvas. The image depicts the subject matter of dance and dancing, as the two human images seem to dance around the jar sited on the turning table and overflowing with nasturtiums. This image shows fauvism existent the twentieth-century in the European Art. Similarly, O’Keeffe utilizes painting oil on canvas in the artwork, â€Å"From the Faraway, Nearby† in the 1900 AD intended to bring forth the themes of precisionism in modern and contemporary art. Furthermore, to illustrate the same in the twentieth-century American art, the artist shows an animal skull sitting on mountainous landscapes. This art means to represent the women artists in North America through suggestions of physical and emotional realisms of the Southwest. Moreover, O’Keeffe’s â€Å"Cow’s Skull: Red, White and Blue† painted in 1931 precedes â€Å"From the Faraway, Nearby.† Both artworks reveal the artist’s love for use of skulls to pass messages. The â€Å"Cow’s Skull: Red, White and Blue† displays the prominent three colors of the American flag. This use of the distinctive colors illustrates how images symbolized America. ... On the other hand, American scene painters utilized this opportunity to unravel the existent urban problems during that time. Nonetheless, the weathered cow’s skull used by O’Keeffe represented America’s enduring spirit, thus, making the artwork a quintessential West American icon. Pippin, on the other hand, aims at illustrating historical themes in his artwork as the key subject matter. These historical settings mostly rest on his fighting experience in the Infantry regiment wars. Through these artwork pippin also enhances religious and political symbols. In this regard, Pippin’s â€Å"Lady of the Lake† distinctively shows the literary subject matter acquired from the past Arthurian legends through the portraits landscape setting. The personified naked sunbather stretched out on a blanket at the water’s edge demonstrates the exaggeration of scale to give a certain perspective. Most importantly, the use of bright and intense blends of red and green typically illustrates the use of palette during the period of 1900 AD4. Additionally, Hopper in 1930 draws an art piece named â€Å"Tables for Ladies† that most importantly illustrates his personal existence during the Great Depression in America. All through the period, very few Americans afforded to dine in restaurants as illustrated by the restaurant’s emptiness. The artwork positions the viewer directly outside an ordinary restaurant in New York allowing them a clear view through the front window. The artist focuses the viewer past the menu cards placed in order on the table and the mouth-watering foods and the waitress trying to adjust them5. The view presents wooden polished interior characterized by a tiled floor and mirrored walls. In the

Most Significant Events During World War II Essay

Most Significant Events During World War II - Essay Example I think that this event achieved the intended goals. William Schneider stated that "Suburban growth is not likely to end anytime soon.† and I fully concur. Years have passed and more communities and homes have urbanized (Martin, 1979). In 1950s, the suburbs’ homes were single story-ranch styled residences, but the houses now are 2, 4, or still yet 4 story mansions. Automobiles also made the suburbs reachable. In the midcentury, the automobile background defined America in many ways. Henry Ford was behind the reason why suburbs developed the way they did in the year 1953. His inventive plan of making cars lessened manufacturing expenses thus decreasing the retail cost for clients. This made the life of suburbs easy because they could go to work every day and return. The government also played a considerable role in this development; they provided financial support and loans to people who were willing to move to newly designed suburbs. They encouraged the movement from the city; the federal legislation came up with an inexpensive method where people were allowed to build a new house outside the city instead of developing a pre-existing house inside the city (Gilbert, 2004). Some of the earliest and most well-known suburbs in the post war period were the Levittown developments. Civil Rights and the Crisis of Liberalism: (1947-1969) Greatly walled out from 1950s success; Latinos and African-Americans, fought to acquire the freedoms denied from them through rampant racial discrimination. When the civil-rights movement began to blossom, young, fairly wealthy baby-boomers spread the revolt to other sets of American life (Genovese, 1993). Their fundamental goals at times collided with Lyndon Johnson’s liberal policy of making use of federal... This essay stresses that as aggravation mounted during the era of limits, conservatives struggled to reinstate customary religious and social principles. Ronald Reagan had a program to decrease government regulations, increase military spending, and lessen taxes. A recent conservative Supreme Court set restrictions on government involvement in the matters to do with social rights, abortion, and the church/state division. However as the national arrears rose more and a depression deepened, electorates reined in the conservative association. This report makes a conclusion that the U.S. has the vitality and the strength to carry on shaping this world. America is a world leader but in many cases, it has failed the world. U.S. ought to prevail over its political dysfunction and re-orient its strategy. If U.S. does not come up with better strategies, in the next ten years, their economy will stagnate or decline and their political climate will not improve either. Am sure most America citizens know that their economy is gradually collapsing due to of enormous trade arrears, white-collar jobs outsource, unbalanced budget, wavering housing market and increasing national debt. The wars in both Afghanistan and Iraq are adding more monetary demands to their economy. If this continues, United States can go bankrupt in a-few years. Drastic measures ought to be carried out but politicians are virtually doing nothing. In ten years, I do not anticipate any changes with America unless different strategies are implemented.

David Carson Influences | Modern Graphic Design

David Carson Influences | Modern Graphic Design Considered to be one of the worlds most influential graphic designers (Layers Magazine, 2007) David Carson is a name synonymously associated with post-modern design. This essay investigates Carsons career from its beginning in the design industry by means of a full biography before venturing on into post-modern and sub-cultural influences on the designer, the emergence and development of key aspects of post-modernist design within the work of David Carson and the positive and negative impact and influence he has had on modern graphic design. Biography: Born in Texas on September 8th, 1955 David Carson dedicated his early career to being a professional surfer, David attained a standing of number 8 in the world rankings while being a high school teacher in California (Encyclopaedia Britannica, 2012a).  A late starter to the graphic design industry, Carsons first real design experience came during a two-week commercial design course in Switzerland as part of his sociology degree. The class, taught by Swiss designer, Hans-Rudolf Lutz (Sacharoq, 1996: p.8), whose influence was so significant that Carson made a decision to pursue a career in graphic design and enrolled full time in a small art college upon his return home to the United States. In an interview with Marc Cameron, founder of fotorater.com; Carson explains the beginning of his design career: taking the advice of a friend who, at the time was the editor of Skateboarder magazine to contact the art director. I immediately started harassing this art director, sending him every little thing I was working on (Cameron, 2012a). This dogged persistence paid off and soon Carson was working in the studio voluntarily; pasting up advertisements and eventually composing an editorial spread for the magazine. Carsons first real job in the design profession was working as a designer at the surfer publication titled  Self and Musician as well as being an employed part-time designer for the magazine  Transworld Skateboarding (Encyclopaedia Britannica, 2012b). This enabled him to experiment with design, developing his now characteristic style of chaotic spreads overlapping photos and mixed up, altered typefaces. In 1989 Carson changed occupations and became art director of Beach Culture magazine producing a total of six magazines before the journal folded, this earned him more than 150 design awards (Encyclopaedia Britannica, 2012c) and a new position in a design role at its sister publication Surfer magazine, which catapulted him into the design spotlight. Carson then caught the attention of Marvin Jarret, publisher of Ray Gun an alternative music publication, who hired Carson as its art director in 1992. The monumental success of the publication between the years 1992 and 1995, with th e help of Carsons radical design vision, saw Ray Guns subscribers triple in numbers. This feat is most commonly attributed to the design strategy that seemed to be particularly appealing to the youth demographic (Kenyaferrand.com, n.d.) which led to several large corporations spotting an opportunity in Carsons design work to increase youth sales of their respective products. Commissions earned by Carson followed to design printed advertisements and direct television commercials. In 1995, Carson left Ray Gun and established his own design company David Carson Design. The business was an instant success, and Carson was able to secure a large and diverse corporate client base with companies such as Microsoft, Pepsi and Giorgio Armani. Carsons first book titled The End of Print: The Graphic Design of David Carson, released in 1995 and has since become the top selling graphic design book of all time with sales in excess of over 200,000 copies (David Carson Design, n.d.). Followed by the boldly experimental books  2nd Sight  (1997),  Fotografiks  (1999), and  Trek  (2003) (Encyclopaedia Britannica, 2012d). Post-modernist design influences on David Carson: Post-modernist design, described in the art and popular culture encyclopaedia as: A cultural, intellectual or artistic state, which lacks a clear central hierarchy or organizing principle and which embodies extreme complexity, contradiction, ambiguity, diversity and interconnectedness (artandpopularculture.com, u.d.). This is evident in Carsons hallmark style of distorted type and his rejection of the conventional ideas of typographic syntax, visual hierarchy and imagery. The text in Carsons work often challenges the fundamental criteria for legibility by the exploration of reverse reading, extreme forced justification, columns jammed together with no gutter and the erratic letter spacing across images, arranged in expressive rather than normative sequences. In his book, A Century of Graphic Design, author Jeremy Aynsley (2001: p. 233a) states that: Carsons work is greatly indebted to the work of Wolfgang Weingart and the Cranbrook academy, belonging to the tradition of deconstructive typography. This statement holds an immense amount of strength as Carson has characterised his style by embracing what could be considered as vernacular design, upsetting the rules of modernist typography with inconsistent weights and spacing of letterforms and adopting a multi-layered approach to both word and image; questioning the original meaning of the text and interpreting it into his own unique message. Aynsley (2001: p. 233b) goes on to explain how: Carson counters the modernist position form follows function, instead opting to use layout to explore the meaning. The typographic form is expected to represent ideas actively, rather than present a transparent medium. Much of Carsons work has also been influenced by the surfing sub-culture; his early professional surfing career allowed him to identify with and relate to his target audience. In his interview with Marc Cameron, Carson states: growing up around that culture put me in a more experimental mindset (Cameron, 2012b). This experimental and somewhat chaotic approach to design appealed to the sub-culture that surrounded the surfing and skating communities, and in a sense gave them their own identity with the styling of publications related to their specific demographic. Aynsley (2001: p. 232) has claimed that advertisers soon noticed the potential benefits of someone who could embody the interests of young consumers. Post-modernist theories in David Carsons work: David Carsons work holds true to many key aspects of post-modernism, especially with his philosophies countering of modernist theories such as form follows function. This is evident in the visually driven arrangement of type, by allowing letterforms or flow from spread to spread, by the extreme or unnatural cropping of single images or his highly expressive use of typography to express his own interpretation of the message to the viewer. The latter is most famously noted in his spread for an interview with Brian Ferry in Ray Gun magazine, an article which Carson states in his conference on design and discovery, published on Ted.com I found the interview boring, so I set the whole article in dingbat (Carson, 2009) During Carsons employment with Ray Gun, there were further embracements of post-modernist theories encompassed by audience participation within the magazines content. In his book, A History of Graphic Design, Phillip Meggs (1998: p.463a) has noted how Carson turned over half a dozen pages to the readers to display their illustrations for song lyrics. The encouragement of audience participation and engagement also acted as an enhancement of the sub-cultural identity to the already burgeoning audience generated by the publication. The impact of David Carson on modern graphic design: David Carson is arguably the most innovative and influential graphic designer of the 1990s (Blackwell, 1995: p. 1) and without doubt the most talked about, gaining an army of both admirers and detractors throughout his career. Blackwell (1995: p.10) has noted how Carson has progressed from being an unknown designer of a short-lived specialist magazine to being one of the most decorated designers in the world. This statement that holds weight in the sense that Carsons work has made a breakthrough from sub-culture to the mainstream of mass communication his work now considered being the cutting edge of the leading communications culture (Blackwell, 1995: p. 18). Carsons continual reinvention of the relationship between design and type, has changed the course of graphic design and crystalized the look and attitude of an entire generation, making him a powerful catalyst for design change (Aynsley, 2001: p. 233c). Running several workshops for graphic design students worldwide has provided Carson with a cult following of inspired young designers while at the same time angering some communications professionals who believed he had crossed the line between order and chaos (Meggs, 1998: p.463b). The lack of a prominent theory or a defined set of rules within Carsons work does not necessarily mean that the work is chaotic; instead it challenges conventional design practices with Carsons belief that as Blackwell (1995: p 27) claims that you cannot not communicate and Dont mistake legibility for communication. The benefits on studio work as a result of topics covered in this module: The topics covered in this module have dramatically benefitted my studio work; they have given me an insight into historical design practices and an understanding of key movements that I previously would not have considered in both my research and in producing potential design solutions. Post-modernism and David Carson in particular has been a monumental inspiration and my work in both the learning activities and the summative assessment covering the subject of his design work and processes; inspiring me to take a more expressive outlook on my design and not limiting myself to conventional solutions to design briefs. I now take into account how more expressionist designs can attract and engage the intended audience, more than traditional messages that offer little visual appeal. Designing pieces that have direct links to Carsons design philosophies; considering the emotion conveyed by a piece of work has added an extra dimension to previous practices and has reignited my passion for design.

Gabriel Garcia Marquez Essay -- essays research papers

Gabriel Gà ¡rcia Mà ¡rquez Gabriel Josà © Garcà ­a Mà ¡rquez was born on March 6, 1928 in Aracataca, a town in Northern Colombia, where he was raised by his maternal grandparents in a house filled with countless aunts and the rumors of ghosts. But in order to get a better grasp on Garcà ­a Mà ¡rquez's life, it helps to understand something first about both the history of Colombia and the unusual background of his family. Colombia Colombia won its independence from Spain in 1810, technically making it one of Latin America's oldest democracies, but the sad fact is that this "democracy" has rarely known peace and justice. In the beginning, there was of course Spain and the Indians, happily hating each other as the Spaniards tore the land up in quest for gold, El Dorado, religious converts, and political power. The English, too, played their part, with Drake attacking Riohachi in 1568 and the countless colonial squabbles of the next few centuries. Declaring itself independent from Spain when Napoleon ousted the Spanish King in 1810, the new country experienced a brief period of freedom and then was quickly reconquered in 1815 by the unpleasant and bloody campaigns of General Murillo. So much did their internal bickering allow their fledgling country to fall to the sword of Murillo, the period is immortalized in Colombia's history with the colorful name of la Patria Boba, or "The Booby Fatherland." Round two, however, fell to the Colombians, when Simà ³n Bolà ­var reliberated the country in 1820 and became its very first president. In 1849, the country was sufficiently advanced enough to con cretize their squabbling in the form of two political parties, the Liberals and the Conservatives, who exist to this day. These two parties form the political framework for much of Garcà ­a Mà ¡rquez's fiction, and understanding their true natures is both a key to his writing and, unfortunately, an important insight to Latin American politics in general. Although initially forming around the nucleus of two distinct and different ideologies, long years of bloody conflict have served to significantly erode the distinctions between the parties. The Conservatives and the Liberals are more like warring factions or clans than any parties with firmly established and radically different ideologies. Both tend to be repressive, both are corrupt, and bot... ... and in the same year he wrote Viva Sandino, a screenplay about the Sandanistas and the Nicaraguan Revolution. Politics, however, would be far from his mind for his next work of fiction, which would be a love story. Turning again to his rich past for inspiration and material, he reworked his parent's strange courtship into the form of a decade-spanning narrative. The story would be about two frustrated lovers and the long tome between their second courtship, and in 1986 Love in the Time of Cholera was unveiled to the anxious world. It was highly received, and there was no question that Garcà ­a Mà ¡rquez had become a writer with universal appeal. By now one of the most famous writers in the world, he eased into a lifestyle of writing, teaching, and political activism. With residences in Mexico City, Cuernavaca, Paris, Barcelona, and Barranquilla, he finished the decade by publishing The General in his Labyrinth in 1990, and two years later Strange Pilgrims was born. In 1994 he published his most recent work of fiction, Love and Other Demons. Today, Garcà ­a Mà ¡rquez lives with Mercedes in Mexico City, where he has quit smoking and is in the perpetual state of "writing a novel."

Play Review: “Annie” Essay

The play â€Å"ANNIE† was all about an orphan who is waiting her parents to get her in the orphanage because when she was a baby her parents promised her in a letter that they will get her back when the time comes. And they have a proof that they were Annie’s parents because of her pendant she was wearing when she’s a baby and when they left her in the orphanage. But 11 years have passed and her parent’s still not yet come to get her. So she decided that she will bail herself out of the orphanage. Until she already got out, but Ms. Hannigan (the one who takes care of the orphans and the orphanage) reported to the police that she was missing, until Annie was already found by the police and returned her into the orphanage. And then a woman came to the orphanage to get a child to spend a Christmas vacation with her boss at her boss house. And then she picked Annie to spend the Christmas with them. And when Annie came to Mr. Warbox house she was amazed because it was big and beautiful. At first Mr. Warbox didn’t like Annie because she was a girl cause Mr. Warbox a boy to spend Christmas with him. But as the time goes by he already liked Annie to be his own daughter. So he decided that he will adopt Annie. But Annie didn’t want to be adopted by Mr. Warbox because she’s still waiting for her parents to come and get her. So Mr. Warbox and Grace Farell was trying to find Annie’s parents. But many impostors was saying that they were Annie’s parents because of the money that they will receive ftom Mr. Warbox. Until the brother of Ms. Hannigan (Rooster Hannigan) said that he was real father of Annie because of the half of the pendant he has. But the real thing is that he was not the father of Annie he only wanted the money that Mr. Warbox will give. But before they give the money and Annie they already know that Rooster Hannigan was an imposter and they know that the real parents of Annie was already dead. So Annie decided that she will approved by the adoption that Mr. Warbox was talking about so, she decided that she wants being adopted by Mr.Warbox. All-in-all the play was great but there are some mistakes that you can see in the play. Some of them are the low voices of the some characters, the background musics, and their lightning’s. In the low voices of the characters, some characters like Annie has a low voice when she was talking. And then the background music, sometimes the background musics are louder than the voices of the characters in the stage play. And then their lightnings they have only one spotlight  that’s why the other characters in the story doesn’t have a spotlight even if they were doing something. But all-in-all the stage play was great and I refer that all ages can watch this type of stage play because it really for families. And the stage play has many lessons that we can get and we can connect it in our lives.

Declaration of Principles and Policies Essay

Some of us here in Congress may have heard of the cancellation of CLOAs in Hacienda Looc, Batangas, Sumilao, Bukidnon and Hacienda Maria, Agusan del Sur. These are only some of the 2,555 cases involving cancellation of EPs and CLOAs which covers 29,682 hectares of land. To be specific, the case of Hacienda Maria in Agusan del Sur involves ninety-four (94) farmers that were already in possession of the land with titles issued more than ten years ago. These titles are now facing cancellation, apparently on the ground that the former Ministry of Agrarian Reform has erroneously covered that piece of land under Presidential Decree No. 27. One of the grounds for cancellation under DAR Administrative Order No. 2, series of 1994 is when â€Å"the land is found to be exempted/excluded from P.D. No. 27/E.O. No. 266 or CARP coverage or to be part of the landowner’s retained areas as determined by the Secretary or his authorized representative.† Or the lands voluntarily offered under section 19 of Republic Act No. 6657 but which are found to be outside the coverage of CARP. While the grounds for cancellation of EPs and CLOAs under DAR AO No. 2, series of 1994 are generally valid, setting a prescriptive period for the cancellation of EPs and CLOAs is in order. Truly, it is the height of callousness to cancel EPs or CLOAs of farmer beneficiaries who have been, for years, diligently amortizing payments to their lands. With regard to DAR AO No. 3, series of 1996, it would also be unjust that farmer beneficiaries be made to suffer in a fault they did not have any part of. In awarding parcels of land to farmer beneficiaries, it is the DAR that negotiates with the landowners and farmer beneficiaries. The latter two parties do not have direct negotiation with each other except if the land will be under the direct payment scheme. In addition, it is the government and not the farmer beneficiaries that determines which lands would be c overed by land reform. The farmer’s participation only starts after the DAR has finished negotiations with the landowners and EPs or CLOAs are awarded to them. As such, the farmer beneficiaries should be regarded as â€Å"innocent purchasers for value.† This bill has six objectives. First, this legislation reaffirms that EPs and CLOAs are land titles under Presidential Decree No. 1529; second, it provides for prescriptive periods for the filing of petitions for the cancellation of EPs and CLOAs; third, it provides for compensation to landowners, whose lands were erroneously covered by land reform programs; fourth, it ensures that the farmer beneficiaries do not bear the consequences of the DAR’s errors in distributing lands that should have been exempted from coverage of our agrarian laws; Fifth, this legislation limits the effect of the Department of Justice Opinion No. 44, series of 1990 that excludes lands that have been reclassified or even without the concurrence of the Department of Agrarian Reform. The DOJ Opinion, though not a law, has been continuously cited as a ground for cancellation of EPs and CLOAs. Finally, it prevents the cancellation of EPs and CLOAs through the enactment of laws that further exempt lands from the coverage of agrarian reform laws. An example of this is the cancellation of EPs and CLOAs on the ground that the landowners were not paid just compensation. Truly, farmer beneficiaries should not be deprived of the lands awarded to them if the government is unable to fulfill its duties under the laws. Passage of this bill is, earnestly sought.